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Theoretical Fundamentals

UNIVERSAL
MUSIC THEORY 2

VIII.
EQUIVOCATION

Equivocation Due to
Separateness of
Meaning and Form

The Dual Musical Truth

Equivocation through
Deducing the Meaning
from the Form

Equivocation through
Deducing the Form
from the Meaning

Superficial Deduction

The System of the
Creative Process in Music

Contradiction
to Fundamental Truths
in the Musical
Gaining of Knowledge

 

 

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UNIVERSAL MUSIC THEORY 2
The Practical Fundamentals of Universal Cognition
.
 
PART   VIII
     
 
EQUIVOCATION
     
         
 
Superficial Deduction


   
 
The rela­tive mu­si­cal proc­ess of know­ing, we find, is a sys­tem­atic scanning of the mu­si­cal sur­face, an analy­sis of the outer mu­si­cal shape.

 
Analyzing the Tone Structure
 
 
This su­per­fi­cial deduc­tion leads us lis­ten­ers sys­tem­ati­cally from the mu­si­cal form to the mu­si­cal mean­ing.
This means that here, dur­ing the rela­tive mu­si­cal proc­ess of gain­ing knowl­edge, the form is sys­tem­ati­cally trans­formed into the mean­ing.

 
Gradual Transformation of the Musical Form into the Meaning
 
 
Su­per­fi­cial deduc­tion, or the deduc­tion on the level of the sur­face-struc­tures of mu­sic re­spec­tively, there­fore is to us the ap­pro­pri­ate tech­nique to gain rela­tive mu­si­cal knowl­edge, and leads the lis­tener from the sur­face-struc­tures of the mu­si­cal sound-space to its depths, in that it al­lows the lis­tener to sys­tem­ati­cally refine the mu­si­cal sur­face-struc­ture un­til it has reached such a de­gree of sub­tlety that it be­longs struc­tur­ally to the world of the mo­tifs, and is iden­ti­fied by him as such.

 
Refining the Surface Structure of the Musical Sound-Space
 
 
This proc­ess of sys­tem­ati­cally re­fin­ing the sur­face-struc­ture in the mu­si­cal fields of cog­ni­tion we now un­der­stand as the ex­trac­tion of the mu­si­cal sense, and it is based prac­ti­cally on a re­fine­ment of the tools of cog­ni­tion with our lis­tener, a re­fine­ment which is brought about by the en­er­gies that are in­creas­ingly re­leased in these tools as the mu­sic un­folds.

 
Refining the Surface in Order to Gather the Musical Meaning
 
     
     
                                 
     
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
                                     
                                     
             
                                     
                                     
                                     
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