THE CLASSICAL COMPOSER AND MUSICOLOGIST PETER HÜBNER
on his International Project of the INTEGRATION OF SCIENCES & ARTS
 
NATURAL
MUSIC HEARING


OUVERTURE
CONVEYING TRUTH IN MUSIC


TEIL I
THE OBJECT OF GAINING KNOWLEDGE IN MUSIC


TEIL II
THE LOGIC OF THE MUSICAL FIELDS OF COGNITION


TEIL III
IMMORTAL AND MORTAL TRADITION OF MUSIC


TEIL IV
THE LIVING EXAMPLE OF THE MUSICAL COGNITION OF TRUTH


TEIL V
THE THREE GREAT STEPS OF THE MUSICAL PROCESS OF GAINING KNOWLEDGE


TEIL VI
THE SYSTEM OF INTELLECTUAL DISCUSSION IN MUSIC


TEIL VII
ERRORS IN GAINING KNOWLEDGE IN MUSIC


TEIL VIII
EQUIVOCATION


TEIL IX
THE SECRET OF MUSIC


TEIL X
THE ULTIMATE GOAL OF GAINING KNOWLEDGE IN MUSIC


TEIL XI
INDIRECT AND DIRECT GAINING KNOWLEDGE IN MUSIC


TEIL XII
THE PATH OF KNOWLEDGE AND THE GOAL OF TRUTH


Creating Music
as an Empirical Process of Knowing


 
Con­se­quently, cre­at­ing mu­sic may be con­sid­ered em­piri­cal only that the proc­ess of com­pre­hen­sion is pointed within: here, the em­piri­cal com­pre­hen­sion con­cerns the inside and not the out­side.

 
Direct Comprehension of the Absolute Reality of Music
So, em­piri­cally com­pre­hend­ing the outer mu­si­cal re­al­ity only served to in­spire the lis­tener to em­piri­cally com­pre­hend his own in­ner mu­si­cal re­al­ity; and thus it served to com­pre­hend his own in­ner, per­fect, natu­ral art of mu­sic.

 
The Purpose of Outer Music
In the proc­ess of crea­tive mu­sic lis­ten­ing, “cre­at­ing some­thing new” is typi­cally a “re-semblance,” a “re-vival,” a “re-call­ing into be­ing,” a “re-cre­at­ing,” a “fun­da­men­tal re­ali­za­tion.”

 
The Ever-Present Hour of Birth of the Music
Hence, crea­tive mu­sic lis­ten­ing is that mecha­nism where the lis­tener knows how to make the golden tree of mu­sic grow natu­rally and spon­ta­ne­ously out of his own in­ner per­fect ar­tis­tic po­ten­tial, through the forces in­her­ent in his natu­ral mu­si­cal po­ten­tial; and he does so af­ter an out­side stimu­la­tion from the fertile ground of his in­ner­most in­tui­tion: from the fertile ground of his in­ner­most fac­ul­ties of cog­ni­tion. From the height of his pure self-aware­ness, he goes down to the world of his hu­man feel­ing and un­der­stand­ing, and fur­ther down to the world of the mu­si­cal sound-space or as a mu­si­cian even fur­ther down to the acous­tic space.

 
The Golden Tree of the Art of Sound