THE CLASSICAL COMPOSER AND MUSICOLOGIST PETER HÜBNER
on his International Project of the INTEGRATION OF SCIENCES & ARTS
 
 

NATURAL
MUSIC CREATION


OUVERTURE
THE IMMORTAL ENCHANTED REALM OF THE QUEEN OF MUSIC


TEIL I
THE PROCESS OF CREATING MUSIC


TEIL II
THE CLASSICAL TEACHING SCOPE OF MUSIC


TEIL III
THE INNER MECHANICS OF CREATING MUSIC


TEIL IV
DIDACTICS OF MUSIC


TEIL V
THE FORCE-FIELDS IN MUSIC


TEIL VI
THE PURPOSE OF MUSIC TRADITION


TEIL VII
SPACE AND TIME IN MUSIC


TEIL VIII
THE PHYSICS OF MUSIC


TEIL IX
THE SYSTEMS OF ORDER IN MUSIC


TEIL X
SCIENTIFIC FUNDAMENTALS OF MUSIC AESTHETICS


TEIL XI
THE SCIENCE OF MUSIC


TEIL XII
MUSIC AND SPEECH


Field of Cognition – Enlivened Silence


 
Here the realm of knowl­edge-giv­ing si­lence is reached, from where the truth­ful art­ist cre­ates mu­sic for his own sake as well as for the sake of his lis­ten­ers; for his own sake, be­cause this kind of natu­ral crea­tiv­ity means an up­surge of in­ner bliss within the art­ist him­self, and for the sake of the lis­tener, be­cause within the lis­tener, too, the ex­peri­ence of such natu­ral, in­ner hu­man ac­tiv­ity is evoked which brings hap­pi­ness and joy.

 
The Listener’s Glimpse of Musical Evolution
The lis­tener then suc­ceeds in get­ting a glimpse of the po­ten­tial of natu­ral, in­ner hu­man evo­lu­tion; and the de­sire to gain mas­tery over this hap­pi­ness-giv­ing field of life natu­rally awak­ens within him.

 
This start­ing point of in­ner hu­man crea­tiv­ity, in which to­nal­ity and rhythm are fused into unity, is the very be­gin­ning of mu­sic.

 
The Seed of the Magic of Music
This be­gin­ning with­out end is struc­tured in the con­scious­ness of the lis­tener by the mu­si­cal in­te­gra­tion of un­bounded space with in­fi­nite time, and a men­tal state of sus­pen­sion is at­tained: an ex­pres­sion of two­fold un­bound­ed­ness.
Here lies the seed of man’s love of mu­sic – of man’s love of life.

 
Thus, rhythm is not at all the means for the iso­lated struc­tur­ing of time in a com­po­si­tion, but ac­cord­ing to the much more so­phis­ti­cated views just out­lined, rhythm is the only ap­pro­pri­ate means for the glo­ri­fi­ca­tion of space.

 
Rhythm as a Means to Glorify Tonality
On the other hand, to­nal­ity is not an iso­lated mu­si­cal pa­rame­ter but the only ap­pro­pri­ate means for the glo­ri­fi­ca­tion of time.

 
Tonality as a Means to Glorify Rhythm
This is the ex­plana­tion for the in­ti­mate un­ion of space and time in mu­sic.