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The Inner Logic of the Musical Process of Knowing
Detours of Human Gaining Knowledge beyond Music
We know from experience that especially nowadays man chooses the more uncomfortable, the more complicated, the less fulfilling, the uglier, the meaner, the more lifeless – because of some outer, intellectual consideration in the limited context of his first three states of consciousness he believes that in the end he will still draw a greater personal gain from such choice 1-3; he hopes that by choosing the uncomfortable he will still reap more joy and greater happiness in the end. That this is a false conclusions demonstrates the dreadful state of present education, 1-3 generated by considerations directed to limited advantages, and, in consequence of that, demonstrates the disastrous world situation. 1-3
Coordination of the Music Lover with the Prime Forces of Nature
The great thinkers, philosophers, artists, scientists and prophets never trusted such considerations and their testimonies document this their common standpoint 4-21; and the same way thinks the classical composer: he thinks, if the joy of his listener is concerned, that such aims directed to limited advantages 1-3 and the educational methods related to them, are too complicated and therefore unpractical, but first of all also: are unnatural. For his music listener, the composer aims at the direct way to inner happiness and inner joy; 5. 7, 8, 6. 11, 7. 12, 8. 13, 9. 14, 10. 17, 18, 15. 25, 16. 26, 17. 29, 30 7. 12, 8. 13, 15. 25 4, 6-9, 11, 15-21