06. Inner Hearing to Musical Motif-Space
Subject of Study 7
Scientifically Studying the Universal Coordinative Development of Human Consciousness – the
Cosmic Structural Development of
the Seer – the Human Path to the Veda –
Through the Universal Musical Coordination of our Inner Cosmic Hearing Ability
with our Universal Ability of Cosmic Intellectual Understanding
During the Transition from the Field of Knowledge of our Hearing
to the Field of Knowledge of the Musical Motif-Space
By the Integrated Study of Tone, Sound and Idea
Seminar Series
at the transition of the combination of basic tone, basic sound and basic idea
from the field of knowledge of our hearing to the field of knowledge of the musical
motif-space
at the transition of the overtone spectra of the combination of tone and sound
with the idea derivation from the field of knowledge of our hearing to the field
of knowledge of the musical motif-space
at the transition of the periodic vibrations of the combination of tone and sound
with the periodic idea chain from the field of knowledge of our hearing to the
field of knowledge of the musical motif-space
at the transition of the vibration sequences of the combination of tone and sound
with the idea sequence from the field of knowledge of our hearing to the field
of knowledge of the musical motif-space
at the transition of the aperiodic vibrations of the combination of tone and
sound with the aperiodic idea chain from the field of knowledge of our hearing
to the field of knowledge of the musical motif-space
at the transition of the attacks of the combination of tone, sound and idea from
the field of knowledge of our hearing to the field of knowledge of the musical
motif-space
at the transition of the decays of the combination of tone, sound and idea from
the field of knowledge of our hearing to the field of knowledge of the musical
motif-space
at the transition of the overtone mechanics of the combination of tone, sound
and idea from the field of knowledge of our hearing to the field of knowledge
of the musical motif-space
at the transition of the combination of tone, vowel and idea from the field of
knowledge of our hearing to the field of knowledge of the musical motif-space
at the transition of the combination of the overtone spectrum of the tone with
the formants and the idea derivation from the field of knowledge of our hearing
to the field of knowledge of the musical motif-space
at the transition of the combination of the tone with the unvoiced consonant
and the idea from the field of knowledge of our hearing to the field of knowledge
of the musical motif-space
at the transition of the combination of the tone with the voiced consonant and
the idea from the field of knowledge of our hearing to the field of knowledge
of the musical motif-space
at the transition of the combination of tone, sound and idea from the field of
knowledge of our hearing to the field of knowledge of the musical motif-space
