GERMAN ACADEMY OF SCIENCES AND ARTS
GERMAN ACADEMY OF SCIENCES AND ARTS
SCIENTIFICALLY INTRODUCING UNIVERSALITY TO ACADEMIC LIFE
   Faculties:   Music & Musicology · Philosophy · Medical Sciences · Education · Pythagoras · Consciousness · Humanities · Natural Science · The Dragon · The Veda · Culture · Opera & Arts



Home

Site Map

Basic Law of the Academy

The Cosmic
Education Programm

Introduction to the University of the Future

Peter Hübner
Developer of the University

 

Faculty of PYTHAGORAS

Leading Thoughts

Leading Thoughts

Logical Path - Theory

Logical Path - Practice

Research & Development
Co-operative Projects

C U R R I C U L U M

Theoretical Fundamentals

CHRONOMEDICINE

Periodic Duration

Pain Sensitivity

Activity Rhythms

Cosmic Rhythms

Three Way Structure

Endogenous Rhythms

Muscular Rhythms

Pain Wave Rhythms

Circulation & Respiration

Puls Breath Frequency

Rhythms in Sleep

Therapeutic Changes

Inhalation & Heart Period

Mother & Child

Heart & Arterial Oscillation

Phase Coordination

Walk & Heart Rhythm

Breathing & Heart Rhythm

Autonomic Rhythm

Hierarchy of Rhythms

Spontaneous Rhythms

Muscular Blood
Circulation

Healing & Resistance

Spontaneous Rhythms

Conclusion

Literature

 

 

Astronomy of Mind EQ x IQ

Hall of Harmony

International Experts

Educational Program
Health

Scientific Research

International Media

International Congresses

Membership

Application to the University

 

 






Prof. Dr. med. Gunther Hildebrandt  • Chronobiological Aspects of Music Physiology



We can become aware of the musical proportions through the series of individual waves of pain during a colic-like attack in the stomach area, as for instance with ureter cramps. Illustration 9 shows two examples of this, in which the time intervals of such events are presented as frequency distributions.

In the average area of the three-structured system of the autonomic rhythms, with the respiratory and circulatory rhythms, two diametrically opposed functional principles of the temporal organisation of life processes collide, and must be balanced (cf. illustration 7): a temporal structure which is constantly frequency modulated by the incoming information, and an other whose rhythms are bound to a pre-formed harmonic-musical order. This is then stabilised by being connected to the environmentally synchronised long wave rhythms.

The rhythmic functions of this average area unite both by showing a relatively wide range of variation of their frequency and answering demands on performance with frequency modulation on the one hand (e.g. quickening of the heart and breathing at work), and on the other hand, however, – particularly under peaceful conditions – search for pref­eren­tial frequencies and/or frequency norms which have simple whole numbered connections and emphasise the fundamental harmonic temporal structure.





Illustration 9

Frequency distributions of periodic duration of pain waves in a patient with unclear stomach colics and a patient with ureter colics. The arrows accord to whole number harmonic proportions.

(According to HILDEBRANDT 1968)